The ECTO-1, the unforgettable vehicle of the ghostbusters, is being rolled into the firehouse. Pretty soon, their conversation begins to be intercut with other footage – Winston visiting the old firehouse (even though earlier in the movie, Dan Aykroyd’s Ray says somewhat forlornly that the firehouse has been turned into a Starbucks). Winston says yes, but that Ray will turn a profit one day. Janine asks if Winston is still paying rent on Ray’s occult book shop. It then becomes clear that she’s visiting Winston Zeddemore, the former ghostbuster who has gone on to great wealth and power in the private sector. She’s in an expensive-looking office building. She’s flipping the coin over in her hand. Also, did you really think “Ghostbusters: Afterlife” was not going to have a Sigourney cameo? Come on now!įrom there, we cut to Janine here and now. So that remains unresolved.) It’s a lovely little scene and it’s nice that it was in there. (There is nothing on Barrett’s son Oscar and whether or not Peter is his father. But it does answer a key question in “Ghostbusters” lore: whether or not Weaver’s Dana Barrett and Murray’s Peter Venkman ended up together. It doesn’t introduce the “Ghostbusters” equivalent of the Infinity Stones or establish some new villain who, I don’t know, causes people to turn inside out (or something). Now, this isn’t the most plot-heavy mid-credits scene. Finally, after some playful romantic banter, Murray admits that he marked the cards ahead of time so he could easily identify them. The combination of seeing her name, the surprise of seeing her name and then her appearing, is absolutely wonderful and speaks to the general nostalgia-mining good vibes of “Ghostbusters: Afterlife.” She asks Murray to identify the symbol on the opposite side of the card and he keeps getting them right! He admits that he used to just shock the male test subject while hitting on the female subject (which causes Sigourney to give him a little jolt). Well, that is answered immediately, as it cuts to her giving Bill Murray the same psychic power test that you see him giving a couple of young college students in the first film. Sigourney Weaver wasn’t in “Ghostbusters: Afterlife.” What is the meaning of this? The last credit in the sequence is “And Sigourney Weaver.” But wait. And “Ghostbusters: Afterlife” looks to do the same.Įvery ‘Ghostbusters’ Movie, Ranked (Photos) How the Mid-Credits Scene Answers a Burning Original Ghostbusters Questionīefore the mid- and post-credits scenes start, we are treated to a fabulous credits sequence by the geniuses at Filmograph (who recently did the titles for the “Candyman” remake and Amazon’s great “The Underground Railroad” series). To that end, “Ghostbusters: Afterlife” has adopted one of the quirkier aspects of today’s mega-movies: the mid- and post-credits sequences.Įmployed most memorably by Marvel Studios, which introduced the practice on its very first movie, 2008’s “Iron Man,” it has come to be deployed in various scenarios, all with the singular goal of expanding the world and introducing concepts, ideas or characters that could be expanded upon in subsequent installments of the franchise. Notably, it’s looking to do all these things within the context of modern, big-budget blockbusters, which lean on vast, interconnected networks of shared mythology to give audiences more bang for their buck. Winston touches the car, as if welcoming back an old friend.“Ghostbusters: Afterlife” looks to do many things: tell a charming and complex story of family dynamics offer up the same mixture of scares and comedy that made the first film such a smash and introduce new viewers to the wacky world of proton packs and ghost traps. We next see Winston back at the fire station where the original team used to work, and the Ecto-1 arriving back to where everything started. Janine and Winston’s conversation centers on legacy, as Winston explains he started his business for his kids so that they could have a good life. Since his ghost-busting days, Winston has become a successful businessman, but as his earlier cameo suggested, he still holds a fondness for his old profession. It’s unclear why until the after-credits scene where we see Janine, the original Ghostbusters receptionist (who also appeared near the beginning of Afterlife), in the city visiting Winston Zeddemore (Ernie Hudson) at his office. The film’s final moment (before the credits) shows the Ghostbusters car, the Ecto-1, being driven back to NYC. While the first credits scene worked as a comedic footnote, the second credits scene hints at what could be next for the franchise. The Ecto-1 chasing the ghost Muncher in Ghostbusters: Afterlife.
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